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Kiril T. Konstantin was born in 1988, in Bitola (North Macedonia) He graduated from the Faculty of Fine Arts in Skopje, as the best student at the Department of Sculpture in 2013. In 2016, he received his Master’s degree from the Faculty of Philosophy in Skopje as a manager of human resources in culture. He works as an art teacher in a primary school, and is a member of DLUB. He has participated in 8 group exhibitions, 4 art colonies and 6 Erasmus+ projects.

Artist, sculptor, painter – Kiril draws inspiration for his works from nature, the play of colours and shadows, people, history and tradition.

Participation in ECHO

Kiril participated in the Art Residency that took place in Novi Sad (Serbia) from 22 October 2018 to 22 November 2018, and focused on the local events of the Second World War (Novi Sad Raid) and their impact in the local community.

A wonderful experience, where I met wonderful people, who became my friends, and I learned many new things, both about art and history.

ARTWORKS
"Road to Danube I", 2018, acrylic and wood foil, ©Kiril Konstantin [Inspired by a photograph of the Novi Sad Raid.]
"Road to Danube II", 2018, acrylic and wood foil, ©Kiril Konstantin [Inspired by a photograph of the Novi Sad Raid.]
"Road to Danube III", 2018, acrylic and wood foil, ©Kiril Konstantin [Inspired by a photograph of the Novi Sad Raid.]
"5496 II", 2018, acrylic on canvas, ©Kiril Konstantin [Inspired by a photograph numbered 5496 in an archive book about the Novi Sad Raid, depicting a dead body.]
"5496 I", 2018, acrylic on canvas, ©Kiril Konstantin [Inspired by a photograph numbered 5496 in an archive book about the Novi Sad Raid, depicting a dead body.]
"5496 III", 2018, acrylic on canvas, ©Kiril Konstantin [Inspired by a photograph numbered 5496 in an archive book about the Novi Sad Raid, depicting a dead body.]

In this triptych, I use the “live”, “cheerful” colours, with which I want to symbolize a phoenix who is born again from its ashes, just as humanity needs to be born again in people, even after such a heinous event as the Novi Sad Raid, and the war itself.

"Family I and II", 2018, acrylic and golden foil on wood, ©Kiril Konstantin [Inspired by the monument dedicated to the victims of the Novi Sad Raid.]
"Family III", 2018, gold foil on canvas, ©Kiril Konstantin [Inspired by the monument dedicated to the victims of the Novi Sad Raid. The one and only gold foil used in this work, pasted over the white canvas, represents the bright future of humankind, but also the void left by the war.]
"Black and White Shadows”, 2018, acrylic on wood, ©Kiril Konstantin [Composed of 24 different pieces painted on both sides. Abstract compositions represent the shadows of the past, the present and the future.]
"Frozen Danube", 2018, paper, ©Kiril Konstantin [Refers to the moment, when Hungarian Nazi cults made holes in the frozen Danube and threw bodies of civilians under ice, and to the screams of the people who suffered that night.]
"Scream I and II", 2018, acrylic on wood, ©Kiril Konstantin [Composed of 10 pieces of wood painted on both sides. Inspired by “The Scream” of Munch and Byzantine art. Represents the weeping, pain and scream of the war.]
“Scream III”, 2018, acrylic and golden foil on wood, ©Kiril Konstantin [Composed of 10 different parts merged into one composition, and set on a black background. Inspired by “The Scream” of Munch and Byzantine Represents the weeping, pain and scream of the war.]

Kiril got the inspiration for these works from the events that occurred in Novi Sad during the Second World War, the so-called Raid of Novi Sad in January 1942, when Hungarian Nazi cults brutally killed around 4000 civilians, most of them Serbs, Roma and Jewish. The killings were so brutal, that the civilians were carried to the frozen Danube, were fired at, and their bodies were thrown under the ice in the Danube.

With his work, he wants to present the horror and scream of war, the human madness, the inhumanity, the pain and the ashes that it leaves behind. But at the same time, to present the strength of true humanity that despite all the suffering and pain, is born again from the ashes, just like the phoenix, by learning from its mistakes, in an attempt to never repeat such heinous events as the Novi Sad Raid.

The digital and digitised outcomes of the ECHO project are in copyright. We publish them on the ECHO II website only for communication and dissemination purposes. We’ll do our best to open them up as soon as possible, in collaboration with the project partners, the artists-in-residence, and any other rights-holders. If -in the meantime- you want to reuse these materials, don’t hesitate to contact us.

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