skip to Main Content
The Second Death of the Painter Keraca Visulčeva

Yiannis Selimiotis

Descriptive information

Type of artwork: Painting
Material(s) & Technique(s): Acrylic on glass and wooden frame
Dimensions: 64cm x 50cm
Year: 2021
Location: Prespa Lake, North Macedonia

Technical information

Digitisation of artwork: Panagiotis Diapoulis
Equipment used: Cameras: Canon 5D Mark IV, Canon 6D | Camera Type: DSLR | Lenses: Canon EF 24-70mm f/2.8L II USM, Canon EF 16-35mm f/2.8L II USM, Canon EF 85mm f/1.8 USM
Image processing software: Adobe Photoshop 22.4 (Windows)

License

Reuse this file under the terms of the license Creative Commons Attribution – ShareAlike (CC BY-SA 4.0)

How to cite this image

“The Second Death of the Painter Keraca Visulčeva”. 2021. Artist: Yiannis Selimiotis. Source: ECHO II website. License: CC BY-SA 4.0.

How you attribute creators of CC-licensed works depends on whether you modify the content, if you create a derivative, if there are multiple sources, etc. For more help, see the best practices for attribution on the CC Wiki.

 

About this artwork

There is an old historic neoclassical palace in Resen, the Ahmed Niyazi Bey Saray. Inside this old palace, a princess is sleeping, but no one seems to remember anymore. The visions and dreams of our time concern more practical aspects of life. Long forgotten, the princess and the French-style mansion were consigned to oblivion. This artwork is a tribute to the painter Keraca Visulčeva, who made me see the second death of myself, the rotting of my paintings, the inevitable end. A portrait of her, painted from combining photos and self-portraits that she painted. To this, I added some flowers from the ones that still decorate an old photograph of her with her father. A small rectangle space for drawing the old photograph. Behind the flowers, the old Saray, that the Ottoman Bey Ahmed Niyazi had dreamed. A story curved on the glass of an old window frame, a window that the people threw in the garbage to be replaced with a newer, uglier, but more practical one.

Yiannis Selimiotis

Share This
Related Artworks
Back To Top